Director of movies like The Silence of the Lambs , Philadelphia and others , Jonathan Demme has mastered the use of the close - up shots . Pretty much every director of every film has put their camera right in front of their actors but Demme is able to wreak out more emotion in the shooter by creating his own vogue .

Jacob T. Swinney writes :

Most filmmaker select to employ the snug - up shot during tantrum of important dialogue — the scene cuts back and forward to the character reference ’ respective closemouthed ups , each character calculate to the opposite side of the silver screen so as to mine the 180 line . This is a criterion , yet efficacious , procedure and is look in almost any film . On the other mitt , Demme prefer to draw up his characters in the center of the physical body and have them await straight into the lense of the camera . As the conniption cut back and forth , the characters usually match locating and seem to be looking right at us , conduct a unique sense of urging or poignancy .

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Demme ’s feeler to the close - up is effectual on many emotional story , and this is largely due to the heart / lens relationship .

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